Why
Carbon Fiber Reason 1
Static Electricity Oh My.
 |
| Rub a balloon
against your hair and then see how it sticks to the wall. It's the static electricity
that makes it cling. And it's the same static electricity that causes dust and
dirt that hurts your sound to be drawn to and held on your records. |
|
Have you ever rubbed a balloon against
your hair and then watched your hair stand on end or stuck the balloon to a wall?
Static electricity is the build-up of an electrical charge in an object.
Static electricity causes objects to cling to each other, like when you take socks
out of the dryer. It's called static cling and it's an attraction between two
objects with different charges, (+) positive and (-).negative
Oh and when you rub your feet across a carpet the friction causes a static charge
to build up inside of you. You can suddenly discharge this static electricity
when you touch a friend (fun) or touch your computer or your records (bad).
Anyway, records are made of vinyl and vinyl pick up large amounts of static electricity.
They pick it up when they sit. They pick it up when you slide them in and out
of the sleeve. And they pick it up when you clean them (but hang on).
Plus, the very act of playing them, dragging the needle down the groove for 1500'
creates static electricity. And why is static electricity bad? It's really bad
because it attracts dust, lots and lots of dust, dirt, grime and smoke.
Just like when you rub a balloon
against your hair and then stick to the wall, a record's charge causes it to become
a magnet for dust. The beauty of a carbon fiber bush is that it allows the static
charge to drain from the record.
 |
| You
can see that the meter is pegged all the way at 0 resistance. I have the red probe
on the carbon fiber and the black probe on the aluminum case. Now your records
will be static free. |
|
In
fact, it's electrically conductive and it passes the static charge through the
carbon fibers to the aluminum housing to you. Yes, you are part of the circuit.
If it's a really dry day, hold onto a metal ground on your turntable or elsewhere
or on normal days, your body will absorb the static from 1 or 2 records as you
clean them with DAK's all new carbon fiber brush system.
Only Carbon Fiber - Just as a test, I bought about 8 different brush and cloth
cleaning systems. I won't mention any names. But, not one of these non-carbon
fiber brushes or pads or cleaning cloths have any conductivity at all.
Some even have wooden handles that are actually insulators. Even the new micro
fiber cloths that can get into the grooves didn't have any conductivity that I
could measure. And, I really tried. So get out your VOM and test things yourself
like I did. It's really instructive. And it's a ton of fun too.
Oh, one last thought on static because it's so very important. If you have a static
gun and you don't have a carbon fiber brush, use it for sure. And some of the
top record cleaning machines that sell for hundreds of dollars do a good job of
both cleaning and removing the static. So the carbon fiber brush isn't the only
way. But it's sure the easiest and I think you'll find the best because it's so
easy to use as often as you like.
Why
Carbon Fiber Reason 2
It's The Size. It's The Shape.
A Million fibers Can't Be Wrong.
Forget Getting Just 1 Fiber Into The Groove.
 |
| Carbon fibers
are so much smaller than a human hair that you won't just get just 1 fiber into
the groove. You'll get lots of deep cleaning fibers to really clean your records. |
|
Carbon fibers are a space-age manmade
material with many industrially interesting properties. As you read above, they
are a uniquely conductive nonmetallic material.
They are thin, very thin (you can get more than 1,000,000 in DAK's brush) and
stronger than steel for their weight. In fact, they are many times thinner than
a human hair as you can see to the right.
That's why their primary use is in aerospace and interestingly in motor sports
due to their super lightweight properties and extreme strength.
Each carbon fiber is actually a bundle of thousands of carbon filaments. Each
filament is made up of almost entirely carbon atoms.
The fibers are often drawn or spun into incredibly tough cloth. They are impervious
to most corrosives.
In short lengths they are ideal for brushes because of their stiffness and strength
albeit their expense prohibits their use in many applications.
Because they are so thin and
strong they are ideal cleaning in microscopic spaces. And unlike hair they are
resistant to shedding,
 |
| Using the electron microscope,
you can see that there's room for lots of the static draining, side and bottom
cleaning groove fibers to really clean your records. You can really hear the difference. |
|
So, in short, even though they
are much more expensive than conventional brush fiber components, they are ideal
for cleaning records because their more than 1,000,000 fibers can reach down into
the groove without damaging it.
The Electron Microscope gives you the power to see why carbon fibers work.
As you look to the right you can see that I've laid 3 fibers into the groove.
But there's room for lots more of the more than 1,000,000 fibers which are on
the brush to really clean the bottom and sides of your grooves. It's a difference
you can hear.
And they are so strong that they are highly resistant to breaking. Plus, don't
forget that they bleed off static electricity so that once the brush removes the
dust, micro-dust, dirt and grime, it's not immediately re-attracted even by the
very act of brushing itself.
Why Carbon Fiber Reason 3
Two Carbon Fiber Brushes
Separated By A Velvet Non-Conductive Pad.
 |
| You can see that the two
anti static carbon fiber brushes are slightly longer. That's so they reach all
the way into the groove to clean all the way to the bottom and sides thoroughly.
With the static gone, and your grooves clean you'll be amazed just how good your
records can sound again. Play them or copy them to CDs they sound great. |
|
OK, now why choose this carbon fiber
brush configuration? We've
explored about how carbon fiber bristles can reach all the way down into the bottom
of the groove to sweep out even stubborn micro-dust, dirt and debris. We know
there are over 1,000,000 fibers in this brush to really reach down and make your
records spectacularly clean sounding.
 |
| Use the mounting bracket
to keep your brush safe and out of the way when you're not using it. Also use
the edge of the mounting bracket to clean the brush after use. It just takes a
second. |
|
As you can see both carbon fiber brushes
in the picture above are longer than the velvet pad that separates them. The velvet
pad simply picks up what the carbon fiber brushes brush out of the grooves as
well as loose surface dirt and dust.
We also explored all about how static electricity works and why it's the ultimate
enemy of our LPs. Without static electricity dust wouldn't be attracted to our
LPs and we'd only have to deal with dust that actually fell on the LP rather than
having to deal with the results of LPs being virtual dust magnets.
And we saw using a VOM that the carbon fibers themselves are conductive. We saw
that they are unique in the fact that they are conductive, but yet, they are not
metal. And with my VOM you could see that in addition to the carbon fibers, they
were electrically coupled to the aluminum housing and that's electrically coupled
to you as you clean your records. So, your body is actually part of the anti-static
cleaning system
So now that know all these facts, how did we stumble on this particular brush
configuration? OK, the 1st brush reaches deep into the groove and pulls up
the micro-dust particles as it moves along the bottom and sides of your grooves.
Then the unique velvet pad moves along the record surface. It's not conductive.
 |
| You can mount the bracket
anywhere or just use it to hold the brush. The brush snaps into the bracket. |
|
It captures the dust pushed up by the
1st carbon fiber brush plus it grabs the loose dust on the record surface that
you can see.
Finally a second carbon brush reaches deep into the grooves and catches any remaining
dust partials and debris to be sure your record is 100% clean.
Plus because it's conductive it drains any remaining static electricity including
any that might actually have been picked up by the velvet pad's interaction with
the surface of the LP.
During the entire process the static electricity is drained off the LP through
the carbon fibers, through the aluminum case into your hand. If it's a dry day,
you might want to hold onto something grounded or metal, like a metal part of
your turntable, or any convenient grounded metal.
Then you'll have super cleaned records with dust attracting static electricity
drained so it won't be instantly attracted back to your treasured LPs and 45s.
DAK's new anti-static, carbon fiber cleaning system is the ultimate solution to
records that have been sitting for years and in great need of restoration.
How Records Work
Where Your Stylus
Really Meets The Groove, Really.
Most people don't know where the actual stereo sound tracks are located in the
record groove. Out of 100 people most guess the bottom and side of the groove.
Actually at the very beginning of Stereo LPs, that was tried.
But that presented problems.
There was a lot of dirt and debris that built up over time in the bottom of the
groove that disrupted that channel.
And it was harder for the stylus to follow the hill and dale up and down motion.
 |
| Your stylus never touches
the bottom. It rests on the groove walls at what's called the 45°x45°
angle. It reads 1 channel from each side of the groove. |
|
So a breakthrough came when they figured
out how to cut the tracks into the grooves so the stylus hit the groove at a 45°
x 45° angle. That means that the stylus meets the groove at a 45° angle
on each side.
And so all modern LP records now use the 45°x45° standard, putting one
track on each groove wall. Since records are analog, the actual groove walls carry
the exact image of the sound waves or undulations of the music. So if you record
a 20,000hz sound, you will get 20,000 waves in the wall per second.
More Complex Side Note: Of course hundreds of waves are all reacting at
the same time, but you can best visualize how it works with a single simple wave.
And the multiple waves are the same captured waves caught by a microphone, passed
down the wire to an amp, recorded on tape and reproduced by speakers. So, cutting
a record is just one more step that uses the same identical analog sound waves
as all other analog devices.
OK back to the groove. It's imperative that the stylus follows these waves
on both walls accurately or you won't get the sound you are trying to reproduce.
If the intimate contact is broken or impaired by dirt, micro-dust and grime your
music will lose detail or you'll hear clicks, pops and ticks.
Remember, that the stylus reproduces anything it hits. If it hits a 200Hz sound,
it vibrates 200 times per second. If it hits a micro-dust particle you'll hear
a tick. It's all simple physics. It's just that it's all microscopic. And while
the concept is basically very simple and was in use as early as 1895 when the
1st groove recordings began, the real critical part is in the execution. And that's
where the rubber meets the road or the stylus meets the groove in our case.
 |
| Grooves aren't straight
and even. The sides physically reflect the actual sound waves. |
|
Then, there's volume to worry about
too. So now we've explored how the notes/frequencies are reproduced. But some
are louder and some are softer. How does that work?
Well, it too is simple in concept but difficult in execution. The louder the sound
the bigger physically that the waves or undulations have to be. See the concept
is simple. Bigger waves in the walls equal louder sound. Also bass frequencies
create bigger waves. So Bass and loud volume create deeper waves.
So here's how we solve the big waves? For volume, we use bigger waves.
And when a record is cut, for loud passages, the waves are cut more deeply, bigger,
and here's the smart part, the grooves are cut farther apart. Otherwise loud sounds
from one track would intrude into adjacent tracks. So bigger waves, wider farther
apart tracks. And you can actually see this when you use a microscope.
OK for big bass notes/frequencies, remember how we always remind you about the
RIAA Phono equalization? Well what they do when they cut a record is cut the volume/amplitude
(fancy word for volume) way back on the bass notes so it doesn't ruin the groove
walls by making them so wide they run into adjacent grooves.
Then when you play it back, you need to have a phono preamp with the RIAA curve
to reverse the bass that they cut back. So that's how you get big massive bass
on LPs without running the groove walls into each other. It's simple.
A
Record's Speed Is A Compromise.
It's always helpful to remember that
a record's speed (33-1/3) is really a compromise between how much music you need
to fit on the record and how good you want it to sound.
OK Drew, what the heck does that mean? OK here's the thing. Do you remember
recording with open reel tape? We used to call it Reel to Reel tape? I (DAK) used
to make tape back in the day, oh about 1968-1980. Anyway, do you remember that
you could record at 7-1/2" or 3-3/4" inches per second (IPS)? Well I
sure do.
In fact I still have a wall of reels of tape with all the recordings I made in
high school and college, before cassettes came into being. Oh, cassettes never
sounded as good as open reel tape recordings because cassettes only ran at 1-7/8
inches per second.
Anyway I digress again. So the faster you recorded with tape, the better
the sound because you didn't have to squeeze 20,000 vibrations into a small length
of tape. So if you went from 3-3/4IPS to 7-1/2IPS you got twice the number of
magnetic particles to record your signal. And it sounded a whole lot better.
It's the same with records. As the stylus moves along the groove, it can do a
much better job of reproducing the musical waves if the record is turning faster,
more inches per second. That's why the original records turned at 78RPM.
Record cutters had gotten much better and vinyl was much cleaner than the materials
they had available for old 78s, so that's how we ended up with 33-1/3. So, most
records have about 22-25 minutes per side. If you needed more you would have to
turn the record slower, which they did for spoken word at 16-2/3s. But faster
would have given even better sound. But everyone agreed on a standard, and 33-1/3
was born.
And it represented a compromise where it was fast enough for good sound reproduction
while being slow enough to allow for an acceptable number of minutes of music
to be reproduced.
But, not all parts of your LPs are equal. There's 33-1/3 and there's 33-1/3rpm.
Everyone thinks 33-1/3 is the speed. But it isn't. Records ARE NOT A CONSTANT
SPEED ANALOG DEVICE. When you start to play a record at 33-1/3, at the outside
of the LP where the diameter of the record is about 11-1/4" you are actually
achieving an Inch Per Second (IPS) Speed at the stylus of about 19.25 IPS per
second. It's π Pi*D (if
you've forgotten your junior high math) which is 35 inches. Then since the record
is turning at 33-1/3 revolutions per minute, that's about .55 of a revolution
per second which makes the inches per second about 19.25 IPS. (35 inches times
.55).
But when you get to the center of the Record, where the diameter is only about
5.5", the effective inch per second speed is down to about 9.6 IPS. So using
π Pi*D again, we get about
17.25 inches in circumference. Then using 33-1/3RPM which is about .55 of a revolution
per second we get to 9.6IPS.
So, no matter how good your equipment is, it will always reproduce a record's
sound so that the outside part is going to be twice as good as the inside part.
And that's a fact. How much of that difference you actually hear is up to your
equipment, your speakers and your ears. But the difference is there.
OK, let's take a breath. Now you know how records work. And remember, a clean
record will always outperform a dirty record. So when you use DAK's new carbon
fiber static draining brush you'll make a significant difference in the sound
you hear and if you are using our LP to CD system, the copies you make. Records
at their best sound great. Records that are dirty, don't.
The
Final
Carbon Fiber Brush Facts
Just A Few Turns Is All It Takes
DAK's Anti Static Carbon Fiber Vinyl Record Care System contains more than 1,000,000
individual carbon fiber cleaning bristles. There are actually 2 separate carbon
fiber brush elements. One at the front of the brush and one at the back of the
brush.
Between the two separate carbon fiber brushes is a high quality velvet surface
cleaning brush. The velvet pad is not conductive and separates the two sets of
carbon fiber bristles.
All 3 brush elements are contained in a heavy conductive aluminum housing that
is in contact with both carbon fiber brushes.
During cleaning, you actually become part of the static draining capabilities
of the brush as the static is drained from the record, to the carbon fibers to
the aluminum housing to your hand. By grounding yourself to a metal part of the
turntable or any other ground source, you complete the static draining circuit.
DAK's Carbon Fiber brush system is wider than the vinyl part of the record so
you can easily clean from the center label to beyond the record lead-in edge at
once. It's about 4-1/4" wide, 1-1/4" deep and 1-1/4" tall. It's
backed by a 1-year warranty against manufacturing defects. It comes complete with
a wall mounting bracket that's also a brush cleaner.
Just
Added Help Drew
Learn About Your Records
|
Hi, It's Drew here. I'd really appreciate
it if you could take my two polls so I can have a better idea of how many records
you have and how you clean them. Please answer before reading my review if you
can, but either way, I really appreciate your most candid answers.
Thanks. . .Drew |
|
| |
|
How
Well Do You Know
How Your Records Work Quiz?
Let's test ourselves about how much
we know about how the LPs we love to listen to produce all that beautiful music.
Sure you know how to play them. But do you know how they work? Well, there's an
easy way to find out. Take my new LP What Do You Know? and find out how much you
really know.
Click
To See All The Answers? Click
To Hide All The Answers?
Quiz Question 1.) About how long is the groove of an
average 22 minute LP?
It's About
1. 350 Feet
2. 500 Feet
3. 1500 Feet
4. 4000 Feet
'.↓ Click To See Answer
Answer 3. 1500 Feet - The record groove on each side
of a record with a length of about 22 minutes per side is between 1500 and 1700
feet.
|
| Quiz Question 2.) On average how many
grooves are there on each side of an LP?
1. 1
2. 3
3. 5
4. 6
↓ Click To See Answer
Answer 1. 1 - There's only one groove on each side of a
record. Even though there are 6 or 7 tracks, they are all part of the same
groove.
|
| Quiz Question 3.) Is the sound better
at the beginning of an LP than it is at the end?
1. At the beginning of the LP.
2. At the end of the LP.
3. It's the same throughout the LP.
'.↓ Click To See Answer
Answer 1. At the beginning of the LP. Just like when
you recorded open reel tapes at 3-3/4 or 7-1/2 IPS, the speed of the record makes
a big difference in how it sounds. Because the record always spins at 33-1/3RPM,
you actually achieve more IPS at the beginning where the diameter is 11-1/4"
than at the end where it's more like 6". Remember π
Pi*D is the circumference and so you get more inches per second with an
11" diameter than with a 6" diameter.
|
Quiz Question 4.) On a stereo LP, where in the groove
are the two channels located?
1. The Left channel is on the groove wall and the Right channel is in the bottom
of the groove.
2. The Right channel is on the groove wall and the Left channel is in the bottom
of the groove.
3. Both channels are in the bottom of the groove.
4. Both channels are on the groove walls.
↓ Click To See Answer
Answer 4. Both channels are on the groove walls. At
the very beginning, they tried putting one on the wall and one on the bottom,
but there was too much debris at the bottom of the groove and the stylus had a
harder time going up and down. So now all LPs use a 45x45 degree system where
each track is on a separate groove wall.
|
Quiz Question 5.) What was the reason that the RIAA
Equalization was needed for LP records?
1. To restore highs that were lost in the record cutting.
2. To restore bass that was lost in the record cutting.
3. To reduce groove size for bass notes.
4. To reduce the number of wave undulations required for very high frequencies
↓ Click To See Answer
Answer 3. To Reduce groove size for bass notes. The
width of the groove increases with high volume and large bass tones. To avoid
interacting with adjacent tracks and having to cut tracks farther apart which
reduces record length, the RIAA curve cuts the bass wave size so the record won't
need as big groove waves. Then when you play back the record the RIAA Curve restores
the bass.
|
Quiz Question 6.) What is the shiny black part at the
outside of a record called?
______________
. ↓ Click To See Answer
Answer - It's called the Lead-in. The shiny black
area at the center of a record is called the lead out. |
| Quiz Question 7.) What is the actual reason
for the shiny black areas between tracks?
1. To separate one song from another with silence
2. To give a visual clue as to the beginning of tracks.
3. Both 1 and 2.
4. To allow the cutting head to cool between actual sound wave cutting.
↓ Click To See Answer
Answer 2. To give a visual clue as to the beginning of
tracks. There's no reason for the space on the records other than to help
us humans. You could have the 1.5 seconds of blank space between tracks without
spacing the tracks so that you get the smooth shiny area. The shiny area occurs
because while there is still a groove there, there's a lot of distance between
each revolution.
|
Quiz Question 8.) Does either an LP or a CD have a constant
linear speed?
1. The LP
2. The CD
3. Both have constant linear speed
4. Neither have a constant linear speed.
. ↓ Click To See Answer
Answer 2. The CD. CDs run at a constant linear speed
controlled by the player. So no matter if they are playing at the center or at
the edge, the speed remains the same. A side note: CDs play from the center of
the CD to the outside. LPs have a constant turning speed of 33-1/3. But the actual
linear speed at the stylus is determined by where you are on the record. Pi x
D is how you calculate IPS at any given part of an LP. |
Quiz Question 9.) What year was the LP introduced?
1. 1946
2. 1948
3. 1951
4. 1973
↓ Click To See Answer
Answer 2 1948. It's amazing how long the LP has been
with us. Now we go through mediums in just a few years. But since 1948 till the
mid 80s, LPs were the way the world listened to music. |
Quiz Question 10.) When storing records which is best?
1. Store them flat
2. Store them on their sides
3. Store them on their sides and rotate them occasionally
4. Store them on their sides and vacuum pack them.
. ↓ Click To See Answer
Answer 3. Store them on their sides and rotate them occasionally.
Most people know that you need to store records on their sides. But few people
also know that if you don't rotate them occasionally that gravity can cause them
to change form because of the plasticity of vinyl.
|
Click
To See All The Answers? Click
To Hide All The Answers?
Try
Cleaning & Removing The Static From
All Your LPs, 45s And 78s
Risk Free.
You Will Hear The Difference.
OK try this. Play a track from
a favorite record that's really, really old. Really listen to the detail of the
music and the number of clicks, pops and ticks. Then use DAK's new Carbon Fiber
Anti-Static brush on the same record.
Note the amount of dirt, dust and debris that the brush lifts out of the record.
Then play the record again. If you're like me, you'll hear a real difference in
the number of ticks, pops and clicks and if you listen carefully, a more detailed
musical experience too.
Considering how old style mechanical records really are with a stylus dragging
along a groove, it's amazing what great fidelity they provide. Check out my microscopic
pictures to really see your grooves. Then listen. What they say about vinyl is
true. Good sound starts with a clean vinyl record.
Try the brush on your records for 30 days. If you don't think they sound substantially
better than they've sounded in years or from any other cleaning method, send the
brush back to DAK for a courteous merchandise refund. We don't refund P&H.
We refund 100% of the product price to your credit card.
To order your DAK Anti Static Carbon Fiber Vinyl Record Care System with over
1,000,000 carbon fibers, 3 brush elements (2 carbon fiber and 1 velvet) to thoroughly
clean your records all the way down to the bottom and sides of the groove while
draining off the static electricity that causes vinyl to re-attract the dust before
you even finish brushing, call toll free of click the Buy Button Below.
DAK's Anti Static Carbon Fiber Brush is just $24.95 $18.95 ($6.95 P&H)
NY Res Add tax.
Clean records make a difference you can hear. Now it's easy to clean them and
keep them clean. Just a couple of turns of the record using DAK's new Anti Static
Carbon Fiber deep cleaning brush make all the difference. Listen for yourself.
You'll be glad you did.
Buy
DAK's
Anti Static Carbon Fiber
Vinyl Record Care System
For A Difference You Can Hear.
| Free Added Bonus. We
took over 20 microscopic shots of my record grooves with the electron microscope
& 2 metallurgical microscopes. I've reproduced some of the pictures below,
but many of the originals are too big for the Internet. So, I've put them together
in a little eBook along with the LP record fun facts and you get it all free as
an instant download with the Brush. |
|
Special
Introductory Discount - Save $6 Today
Just $24.95 $18.95 - Order No. 3306 - ($6.95 P&H)
Save
On P&H. Buy 1 or 5 and pay only $6.95.
Grab
several for family and friends and save. $6.95 is the minimum UPS charge, but
we can get 5 in the box.
Your discount will show in the cart. |
In
Your Cart Now: 0
|
|
|
|
|
|
The Scanning Electron Microscope
Shows It all.
|
| Not only can you get 1 bristle into
the microscopic grooves of your LPs, you can get lots of the over 1,000,000 tiny
carbon fibers deep into your grooves to clean them like never before, for a difference
you really can see and hear. |
Grooves Aren't Pretty
But When They Are Clean
You get great sound.
| At 400x you can really see the dirt.
You can also see the actual LP Groove. It's a miracle how well LPs reproduce our
sound when they are clean. |
Grooves Aren't Straight
You Can See The Waves
This is a 400x stylus eye view of
a clean groove. You can really see the stylus's path along the groove. Remember
it travels this path for about 1500' per side producing flawless stereo music.
It's amazing that LP records have been around since 1948 and groove recordings
since 1895.
Buy DAK's
Anti Static Carbon Fiber
Vinyl Record Care System
A Difference You Can Hear.
Free
Added Bonus. We took more than 20 microscopic shots of my record grooves
with the electron microscope & 2 metallurgical microscopes.
I've reproduced some of the pictures below, but many of the originals are too
big for the Internet. So, I've put them together in a little eBook along with
the LP record fun facts and you get it all free as an instant download with the
Brush. |
|
Special
Introductory Discount
Save $6 Today
Just $24.95 $18.95
Order No. 3306 - ($6.95 P&H)
Save
On P&H. Buy 1 or 5 and pay only $6.95.
Grab
several for family and friends and save. $6.95 is the minimum UPS charge, but
we can get 5 in the box.
Your discount will show in the cart. |
In
Your Cart Now: 0
|
|
|
|
Here's A Dirty LP
Under
The Scanning Electron Microscope.
| The scanning electron microscope
is amazing. Here you can see the dirt in the record groove. Because it doesn't
use light, everything looks gray, but you can sure see it clear and sharp. And
with the other shots, if you ever thought record grooves were laid out in neat
rows, now you know they're not. |
And Now It's Clean
It Sounds So Much Better.
| Here's a clean record using the
scanning electronic microscope. You can actually see the grain of the vinyl as
you look at the groove walls. Vinyl is a great material for records because it's
so smooth. But even the vinyl isn't totally smooth under the electron microscope. |
|
Shooting The Groove At 1000x
|
| I wanted to show you the groove
just like the stylus sees it from the side. More records were killed and injured
to get these shots, but this really is a stylus eye's view as like a surfer, it
shoots through the groove. |
|
Shooting The Groove At 1500x |
| OK this was really tough. You are
looking at a 1500x shot of the groove from the side. What you see is a wave starting
just to the left and if you look carefully to the right you'll see 2. Your stylus
has been seeing this for more than 50 years. Now you can see what you've been
hearing. |
Buy DAK's
Anti Static Carbon Fiber
Vinyl Record Care System
A Difference You Can Hear.
Free
Added Bonus. We took more than 20 microscopic shots of my record grooves
with the electron microscope & 2 metallurgical microscopes.
I've reproduced some of the pictures below, but many of the originals are too
big for the Internet. So, I've put them together in a little eBook along with
the LP record fun facts and you get it all free as an instant download with the
Brush. |
|
Special
Introductory Discount
Save $6 Today
Just $24.95 $18.95
Order No. 3306 - ($6.95 P&H)
Save
On P&H. Buy 1 or 5 and pay only $6.95.
Grab
several for family and friends and save. $6.95 is the minimum UPS charge, but
we can get 5 in the box.
Your discount will show in the cart. |
In
Your Cart Now: 0
|
|
|
Buy DAK's
Anti Static Carbon Fiber
Vinyl Record Care System
A Difference You Can Hear.
Free
Added Bonus. We took more than 20 microscopic shots of my record grooves
with the electron microscope & 2 metallurgical microscopes.
I've reproduced some of the pictures below, but many of the originals are too
big for the Internet. So, I've put them together in a little eBook along with
the LP record fun facts and you get it all free as an instant download with the
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Records
sound a bit muffled? Good sound starts with a clean vinyl record.
